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The short names and long names are character vectors that specify one of eight predefined colors.
A very common way to choose a mat color for your portrait or piece of art is to choose one that will help bring out the dominant color of the piece.
Using a white for the top mat is always a safe choice.
Math can be tasted it smells it creates sound and color.
Using the dominant colors in the art.
If you choose this method the eye of the viewer will be drawn to the art.
If your item has a strong color theme you might try to match one or more of the colors in the item.
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As long as the mat color is borrowed from one of the secondary or tertiary colors in the artwork a color mat can work well.
The matboard specifier images below are good examples of items with strong colors.
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You can match one of the colors in your item to the bottom mat.
But math is nothing but a different language to express the world.
The rgb triplet is a three element row vector whose elements specify the intensities of the red green and blue components of the color.
Consider a pale forest green for a barn in front of a out of focus forest or light blue to complement the distant sky of a cityscape.
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If you mat with those background colors the artist s intended focal point will still draw the eye to it.
One can touch it and be touched by it.
Math can be sensual.
The intensities must be in the range 0 1.
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In general using the dominant colors of the art in the mat draws the eye to the art rather than to the framing.
Often the artist has some focal point that contrasts with the background colors.